TWO NOTE CHORD IN B MINOR

THEME: LISTEN TO THE MUSIC, ENJOY ITS COLOURS (CHORDS).TITLE: TWO NOTE CHORD IN B MINOR TECHNIQUE: Mixed technique on canvas.SIGNED: 20 / 3 / 2008DIMENSIONS: Canvas 65x50 cm.COMMENTARY: In this section of chords, I want to show you the THEME: LISTEN TO THE MUSIC, ENJOY ITS COLOURS (CHORDS).

TITLE: TWO NOTE CHORD IN B MINOR

TECHNIQUE: Mixed technique on canvas.

SIGNED: 20 / 3 / 2008

DIMENSIONS: Canvas 65x50 cm.

COMMENTARY: In this section of chords, I want to show you the colours of the notes within the musical tonalities and the different textures that I use in my paintings. In this case, I have chosen the two- note chord of B minor.

DESCRIPTION OF THE PAINTING: TWO NOTE CHORD OF B MINOR


I will begin by explaining that according to my theory of the music-colour relationship, I have catalogued the minor musical tonalities in the range of fragmented colours. In this painting I have painted the colours of the two notes which form this chord: note B (fundamental note in the chord) and the note D (third).
According to my relationship theory, the note B is violet in colour and the D note is red. As I have explained to you previously, the minor tones are within the range of the fragmented colours, being so the colour of these two notes which form the chord, will be a fragmented colour. And so the note B has a violet colour which has been blended with its complementary colour and more or less white. The same happens to the note D, but its colour, besides, has also been mixed with the colour that gives name to the main tonality: B minor (colour: fragmented violet).
I have represented the notes in form of geometric figures (quadrangular prisms) in perspective from the left.
The figure of the background corresponds to the note B, of a fragmented violet colour, in front of it and occupying a part, is the figure which represents the note D, with a fragmented flesh colour. Where in its upper left central part it mixes with the colour of the note B, obtaining a fragmented pinkish tone. The figures are placed in order of height (relief) and importance (volume), just like the notes of a musical chord: the fundamental note, is the figure of highest volume ( B ); the third, is the smallest figure ( D ) and in relief being above the fundamental note.
The background is painted with the colours of the notes in different tones and more intense shades, violet on the left side and reddish sienna to the right, with a texture of tiny squares where in some of its areas it permits glimpses of different grey tones which are in the deepest part of the painting, creating an aspect of character, elegance and modernity.

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  • SCALE OF C MAJOR
  • CHORD IN A FLAT MAJOR 7
  • TRIAD CHORD IN D MAJOR IN GREY VERSION
  • TRIAD CHORD IN C MAJOR
  • TWO NOTE CHORD IN B MINOR
  • THE NOTE D
  • The Rite Of Spring
  • IMPACT
  • THE FLIGHT OF COLOURS

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