DISCORD 2

THEME: LISTEN TO THE MUSIC, ENJOY ITS COLOURS (DISCORD).TITLE: DISCORD 2 (melody with five voices at a semitone of distance from the first voice to the second voice, from the second voice to the third and so on).TECHNIQUE: Mixed technique on wood. THEME: LISTEN TO THE MUSIC, ENJOY ITS COLOURS (DISCORD).

TITLE: DISCORD 2 (melody with five voices at a semitone of distance from the first voice to the second voice, from the second voice to the third and so on).

TECHNIQUE: Mixed technique on wood.

SIGNED: 18 / 3 / 2007

DIMENSIONS: Wood 123x48 cm. 1 cm. thick.

COMMENTARY: New version of the Discord with five voices, interpreting a melody (major scale going down and up in zig-zag) at a distance of a semitone between them, in a different tone and different volumes (of musical shades represented in the paintings with bigger or smaller figures). The combination of each voice along with its musical tonality, the volume of some of its notes and its colours which correspond to my theory of music-colour relationship, creates a variety, contrast and shrillness of colours as it might be like if the five off key voices were heard all at the same time. All of this represented on a background of yellow, orangey and ochre colours, drawing the waves which produce this discord.

DESCRIPTION OF THE PAINTING: DISCORD 2


As you know from my previous commentary, in this painting I have represented the discord which five voices produce interpreting a melody (major scale going down and up in zig-zag) at a distance of a semitone between them, in a different tone and different volumes (of musical shades represented in the painting with bigger and smaller figures). The musical notes are represented in the painting with geometric figures (truncated rectangular pyramids) illuminated from above to the left.
The first voice is interpreting the melody in the key of D major, the second in C#
major, the third in C major, the fourth in B major and the fifth in B flat major, each with the colours which correspond to its musical tonality according to my theory of the music-colour relationship.
Some red, sienna and orangey colours for the key of D major, bluish and greenish colours for C# major, in the colours of the tone of C major we find yellows, oranges and ochres, in B major violets, blues and purples, and finally in the tone of B flat the greens and greenish ochres stand out.
All this quantity and variety of colours added to the colours of the shadows in the geometric figures produces some contrasts and shrillness equal to what might be produced on hearing the five off key voices at the same time. I put all these colours on a background of yellows, orangey colours and ochres drawing the waves which produce this off key creating even more contrast and shrillness.

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  • STRENGTH, DRAMA AND INTENSITY
  • ROMANTIC
  • IN KEY 1
  • DISCORD 1
  • DISCORD 2
  • DISCORD 3
  • SCALE OF C MAJOR
  • CHORD IN A FLAT MAJOR 7
  • TRIAD CHORD IN D MAJOR IN GREY VERSION

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